James ENSOR
1860 - 1949
L’entrée du Christ à Bruxelles
1898
Original etching and drypoint
250 × 357 mm, margins 366 × 480 mm
Fine impression on Japan paper of the final state with many new works in drypoint, included six lines on the top hat of the man with the skeleton head in the lower right corner, signed James Ensor, dated and titled on the recto, signed (large signature) and titled on the reverse, traces of mat along the edges.
Reference: Delteil 114, Taevernier 114 iii/iii)
Purchase by the National Muséum of Western Art of Tokyo, Japan