It is probably a drawing in honour of the Duchesse de Berry, as some of the scenes, even if imagined, seem to relate to her life. The troubadour style of the sheet as a whole seems to correspond with the period of her life when she lived with the Duke Lucchesi-Palli, having married him in secret in Rome in 1831, after the 1832 uprising in the Vendée and her subsequent imprisonment in Blaye. In addition, the sculpted figures symbolising Architecture, Sculpture, Painting and Poetry (?) evoke her taste for the arts, just as the garlands of flowers recall her love of botany and the well-known way in which she had remodelled the grounds of the château at Rosny-sur-Seine.